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Showing posts with label 1920s vintage wedding dress. Show all posts
Showing posts with label 1920s vintage wedding dress. Show all posts

Monday, 14 March 2011

PREVIEW OF COMMING ATTRACTIONS

 Not only do I have a new creation for you to look at, I've developed a whole concept around this design.  Meet GIGI, the newest addition to Dioresque's 2011 capsule collection, called Oh La La!  Inspired by Paris, the 50s, The Belle Epoch and a little bit of Toulouse-Lautrec thrown in, all creations you'll be seeing in Oh La La are about pouf, frills and spun tulle.  GIGI is an A-line out of an ivory embroidered organza with a shot of ruffled lace underneath.
 This little silk, lace and point esprit fascinator is featured in the latest issue of Martha Stewart Weddings.  It's the perfect compliment to organza and lace . . .
A long row of buttons graces the back of this dress.  GIGI is actually an off shoot of this sketch for FIFI (in the works) showing a sweetheart neckline and matching shrug.  Can't wait to show off that one . . .

Friday, 4 March 2011

WHAT'S NEW IN THE GOWN GALLERY?

Beatrix

The BEATRIX dress is a 2011 addition to the Dioresque Collection.  With a bodice of embroidered organza, the full underskirt and five layers of tulle skirt are cut on the bias with the top layer gathered.   The waist is cinched by a silk satin ribbon belt accented by a row of white silk hydrangeas.   This dress goes great with the TRILBY fascinator out of embroidered organza and Venise lace.  Available through Amy-Jo Tatum Bridal

Wednesday, 15 September 2010

PORTRAITS of CHANTILLY


You can always recognize Chantilly lace by its delicate background and intricate detail. Named after the town in France where its still made, the patterns originating in the 18th century are to this day, still time-honored and manufactured.  My favorite of all laces, Chantilly is fragile and romantic.  It can be used as an allover lace or touches of it here and there on bodices, skirts and sleeves.  Chantilly has always been synonymous with the finest in bridal wear from dresses to veils and accessories . . .
The perfect customizing for a simple gown, this three-tiered lace jabot has matching ruffle gauntlets all tied together with polka-dot grosgrain ribbons and  a cameo

A Chantilly lace bordered mantilla worn with a bouffant tulle dress with lace bodice . . .
 Crepe and Chantilly lace are the perfect duo here for a gown reminiscent of the Golden Age of Hollywood

This bodice is appliqued in Chantilly lace with shirred tulle overlaid
The kick pleat in the back of this silk dupioni gown is a gathered inset of Chantilly lace

 This repro tea gown harks back to the Art Nouveau period. Chantilly lace covers the bodice and borders an asymmetrical tulle skirt

This is a perfect  Boho piece in a mix of  Chantilly laces, chiffon and brocade gold  belt
True vintage.  Another tea gown in a mix of Chantilly laces

Monday, 13 September 2010

WHAT'S NEW IN THE GOWN GALLERY?

 

 Meet YOLANDA.  Inspired by an old MGM musical, this dress is layered in yards of tulle and crinoline. The bodice is a close fit covered in Chantilly lace appliques with an overlay of shirred tulle.  The rosy tint of the tulle is the result of a tea dye.  I cinched the waist with a gray satin belt.  This dress is available via special order through Amy-Jo Tatum Bridal
 
 

Tuesday, 7 September 2010

CREATING ONE-OF-A-KIND CHIC


 It's those diverse and interesting touches that make you a one-of-a-kind bride. Above, the headpiece circa  late 1940s paired up with black gloves amps the glam factor . . .

ELEYNA'S FAVORITE HAT
I call this, The Ascot Bride.  Same dress and gloves only we've changed out the head wear for a sisal picture hat with a taffeta striped bow and giant daisy, making this a great candidate for all you  My Fair Lady fans.   Gown and hats by Amy-Jo Tatum Bridal Couture

Monday, 6 September 2010

SLEEVES


There are probably more variations of sleeve than any other component on your gown.  Believe me, once you've decided to go with sleeves, your possibilities are never-ending.   From a designer's point of view, sleeves can be one of the most creative elements on a gown.  For me, a well-designed sleeve is a work of art; it combines fabric and adornment into the overall image of the gown.  I also think sleeves are the most satisfying part of a gown to work on—the actual stitching, manipulation of fabric and trim— all forming the real character of the gown.  

Large motifs embossed on silk chiffon give the illusion of opaque lace on long tight sleeves

Gauntlets proffer the look of sleeves.  The great part is they slip on and off easily so you can change your whole look in an instant.

This taffeta hourglass has 3/4 length sleeves.  Great for anytime of year.  
This lighter weight silk dupioni empire cut dress has half length sleeves . . .

  This allover Chantilly lace dress has short sleeves which help add to the air of ladylike daintiness.

All gowns by Amy-Jo Tatum

Monday, 22 March 2010

WHAT'S NEW IN THE GOWN GALLERY?

Meet Emma and Jayne.  Both are similar, Emma being white and Jayne tea dyed with a rose tint.   Both are dupioni silk wrapped with a Chantilly lace bodice and tulle skirts bordered in laces.  Perfect for the beach or destination wedding. 




Photos by Ryan Chua